Film & Animation
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حكاية وطن | أول فيلم ليه انقذ ستوديو من الفلس وغير معالم الإخراج في العالم كله
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1st 3D (Stereoscopic) film in Egypt Arabian Nights Directed by Tamer Mortada Part 1
اول فيلم مصري بتقنيه ثلاثي الابعاد من اخراج تامر مرتضي الجزء الاول
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Dating to the early 1950s, probably 1951, and produced by the Hamilton Wright Organization for the Egyptian Ministry of Foreign Affairs, this short film shows the nascent Egyptian film industry. At :50, Samia Gamal, an Egyptian belly dancer and film actress, is shown. At 1:15, a director standing next to a Mitchell 35mm movie camera gives her direction. At 1:36 Gamal moves in front of reflectors which light her path. The narrator mentions that the films being made in Egypt are made to certain standards of morality and feature clean content. At 2:01, inside the sound stage of the Studio Misr. This was a film studio established in Egypt in 1934 by the economist Talaat Harb. Owned and staffed by Egyptians, it was known as 'The Studio of Egypt'. For three decades it was the leading Egyptian equivalent to Hollywood's major studios. At 2:26 the Al-Ahram Studio is shown, with its large soundstages. At 3:26 the narrator comments about how the Arab speaking peoples of the world want their own films. At 3:37 another film studio is shown, with modern buildings and soundstages. At 3:48, a fight scene is shown in rehearsal. Egypt at this time had 226 movie theaters, according to the narrator. At 4:17, a color test is shot of an actress. At 4:28, an Egyptian western is filmed. At 5:06, huge cinemas are shown in downtown Cairo.
Studio Misr's first film was Wedad (1936), the first film to star the singer Umm Kulthum. In 1939 Studio Misr made four films, including Determination, out of a total of fifteen Egyptian films. Facing difficulty raising capital in the 1940s, Studio MISR reduced its emphasis on direct film production, increasingly renting out its development, printing and editing facilities to other Arab filmmakers. In 1946, for example, Studio MISR made three films - including Black Market - out of a total of 52 Egyptian films.
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Watch full episode here:
https://youtu.be/39iF2VuxlZ0
In this Movie Night event, we talked to Viola Shafik about her career in the filmmaking industry. Shafik talked about film theory in Arab cinema.
Created & hosted by Mikey Muhanna, https://www.instagram.com/mikey_mu/=
Edited by Ramzi Ramman
Theme music by Tarek Yamani https://www.instagram.com/tarek_yamani/
About Movie Night:
Movie Night is an interview series that calls for afikra community members who are interested in movies and films to spend time watching along with the entire community. Movies will be announced on afikra’s watching list. This interview series will host filmmakers and actors who are featured in the announced movie. Community members will be asked to watch the film on online streaming platforms or online film festivals before the series and join the conversation with the creators of the film. Movie Night is an opportunity for members to ask questions about the plot, behind the scenes, themes, and information about the movie. Following the interview there is a moderated town-hall style Q&A with questions coming from the live virtual audience on Zoom. Join the live audience: https://www.afikra.com/rsvp
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Studio Misr is a legendary name in the history of Egyptian cinema. Established in the 1930s, this famous studio played a crucial role in creating the golden age of filmmaking in the country. It was a place where some of the greatest directors, actors, and camera operators developed their skills and made groundbreaking movies, the studio had top-class production facilities and was dedicated to making excellent films. Even today, Studio Misr's impact is felt in the Egyptian film industry. Its rich history is now being celebrated through special screenings and discussions, allowing the public to learn more about the masterpieces created within its walls. These films have left a lasting mark on Egypt's cultural heritage, and Studio Misr's pioneering spirit continues to inspire modern filmmakers.
In this second episode of our Projector Dreams series, we step into the golden age of Egyptian cinema—a transformative period that turned Cairo into the cinematic capital of the Arab world. From the founding of Studio Misr to the rise of musical epics, social realism, and feminist narratives, this era wasn’t just about movies—it was about identity, politics, and cultural power.
We trace the legacy of pioneers like Umm Kulthum, Mohamed Abdel Wahab, Kamal Selim, and Youssef Chahine. We explore how women redefined their roles on-screen and how post-revolutionary Egypt used cinema as a mirror, a megaphone, and a battlefield.
📼 What You’ll Learn in This Episode:
•
The nationalist vision behind Talaat Harb’s founding of Studio Misr
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Why musical cinema became a tool of cultural diplomacy
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How women like Faten Hamama and Hind Rostom reshaped gender narratives
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Why The Will (1939) signaled a turn toward realism
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How post-1952 films critiqued power through allegory
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The impact of nationalization on Egypt’s creative freedom
📢 Next Up on Projector Dreams:
We move into the turbulent 1960s and 70s—an era of political volatility, cinematic experimentation, and pan-African solidarity. Stay tuned.
Until then, keep the reels rolling.
— The African Cinema Podcast Team
🎞️ Featured Films
Weddad (1936)A wealthy merchant falls in love with his slave, Wedad, but their romance is tested by misfortune and social pressure. Umm Kulthum’s debut.IMDb (https://www.imdb.com/title/tt0237908/)
Sallama (1945)A musical melodrama set in a historical Bedouin context, starring Umm Kulthum and themed around love, loyalty, and folklore.IMDb (https://www.imdb.com/title/tt0237688/)
The Will (Al-ʿAzīma) (1939)One of Egypt’s first neorealist films. A working-class man and his partner struggle with poverty, dignity, and perseverance.IMDb (https://www.imdb.com/title/tt0275209/)
The Second Wife (Al-Zawja al-Thāniya) (1967)A young woman is coerced into marriage by a corrupt village official, exposing the abuse of power and gender inequality.IMDb (https://www.imdb.com/title/tt0062519/)
Cairo Station (Bāb al-Ḥadīd) (1958)A disturbing psychological drama set at Cairo’s train station, following a newspaper vendor's descent into obsession. Directed by Youssef Chahine.IMDb (https://www.imdb.com/title/tt0051390/)
The Land (Al-Ard) (1970)A powerful critique of feudalism and injustice in rural Egypt, depicting farmers' resistance against landlord tyranny.IMDb (https://www.imdb.com/title/tt0065680/)
The Nightingale’s Prayer (1959)Faten Hamama stars as a Bedouin woman seeking revenge after her sister’s honor killing, exploring themes of justice and retribution.IMDb (https://www.imdb.com/title/tt0371415/)
I Am Free (Ana Hurra) (1959)A feminist drama about a woman rejecting traditional marriage and societal expectations in pursuit of autonomy.IMDb (https://www.imdb.com/title/tt0371423/)
Women Without Men (1953)A film about four women who band together after rejecting oppressive relationships, forging solidarity and freedom.IMDb (https://www.imdb.com/title/tt0328873/)
The Sin (Al-Haram) (1965)A peasant woman’s tragic fate after a rape exposes rural injustice and systemic neglect. Directed by Henri Barakat.IMDb (https://www.imdb.com/title/tt0371513/)
Archive footage of street scenes in Djibouti, captured in this 1950s home movie film.
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Home movies captured on 8mm, Super 8, 9.5mm, and 16mm film are vital records of personal and historical moments. Despite their significance, many deteriorate over time due to poor storage. At Lost Footage Found, we focus on restoring archival home movie films to keep these invaluable memories alive and accessible.
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Background Music:
Shades of Spring by Kevin MacLeod
Link: https://incompetech.filmmusic.....io/song/4342-shades-
License: http://creativecommons.org/licenses/by/4.0/
Brought to you by Assajog Studio
Brought to you by Assajog Studio & RTD
Ma dhera Riwayadii Fananinta Djibouti uu gaar ah Djib-Médias Production.
Déplacement à Djibouti d'août à décembre 1968. Découverte d'un continent, d'un pays et d'une civilisation. Le choc a été brutal à tous les égards, civilisationnel, culturel, intemporel, venant d'Europe et n'ayant jamais connu que la France, on a du mal à s'imaginer qu'il y ait autant de différence entre nos civilisations.
Djibouti film
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L'agence nationale pour la promotion de la culture organise, à travers son département "cinéma", la première édition du festival du film de Djibouti au Bawadi Mall, le 5 et 6 février 2023.
Filming the Streets of Djibouti City was Intense!
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#FIMKA DAMAC #somali #somali #somaliland #somalia #somalibeauty #mogadishu #hargeisa #somaliwedding #jigjiga #somalimemes #somalimodel #somalisocialmedia #somalifashion #xamar #puntland #muqdisho #somalibridal #somaligirls #somalilanders #my #somalimusictotheworld #djibouti #somalicat #somalidance #somalian #somaliangirl #somaligirl #followforfollowback #somaliturkish #somaliweddings #burco #mogadishu #somali #somaliland #somalia #jigjiga #hargeisa #somalibeauty #somaliwedding #xamar #somalimemes #puntland #somalisocialmedia #somalifashion #somalimodel #my #somalibridal #muqdisho #somalilanders #djibouti #somalimusictotheworld #somalidance #somaligirls #somaliangirl #followforfollowback #somaliturkish #somaliweddings #somaligirl #somalicat #somalian #burco
Directed by : Lula Ali Ismail
Genre: Fiction
Production year: 2018
« Dhalinyaro », premier long-métrage djiboutien dans l’histoire de Djibouti, traite en suivant le parcours de trois jeunes filles durant l’année du bac, du moment de bascule entre la fin de l’adolescence et l’entrée dans l’âge adulte, et ce dans le contexte spécifique djiboutien contemporain.
More info: https://en.unifrance.org/movie/49524/dhalinyaro
