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الحلقة 01
المخرج المصري عمرو سلامة يضع مي وعمر على الطريق الصحيح لتعلّم كيفيّة رواية القصص من سادة السينما العربية.
من نحن؟
"فيلم عربي" برنامج مبتكر يُعرض على شبكة الإنترنت نستضيف خلاله صانعي الأفلام المحترفين من العالم العربي الذين سيكشفون عن مراحل صناعة الأفلام من النص إلى الشاشة وتأثير رواية القصص في حياتنا. صُوّر البرنامج في مصر ولبنان والمغرب وفلسطين والإمارات العربية المتحدة مع مجموعة متنوعة من صانعي الأفلام العاملين في هذا مجال حيث سيقدمون رؤيتهم حول تفاصيل محددة ترتبط بالسينما وأمثلة من أعمالهم الخاصة.
شاهدوا!
تعرّفوا على كل من عمر وماي، شاب وشابة طموحَين ويهويان السينما. خلال وظيفتهما الصيفية في ستوديو مصر بالقاهرة، يكتسب كل منهما خبرةً واسعة من أبرز صانعي الأفلام في العالم العربي. اتبع رحلتهما وتعلّم معهما!
شاهد المزيد:
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زيارة فيلم عربي أون لاين:
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#اصنع_أفلام
حكاية وطن | أول فيلم ليه انقذ ستوديو من الفلس وغير معالم الإخراج في العالم كله
اشترك في قناة النهار لمشاهدة أحدث وأقوى الفيديوهات: https://goo.gl/qXtFv6
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Watch full episode here:
https://youtu.be/39iF2VuxlZ0
In this Movie Night event, we talked to Viola Shafik about her career in the filmmaking industry. Shafik talked about film theory in Arab cinema.
Created & hosted by Mikey Muhanna, https://www.instagram.com/mikey_mu/=
Edited by Ramzi Ramman
Theme music by Tarek Yamani https://www.instagram.com/tarek_yamani/
About Movie Night:
Movie Night is an interview series that calls for afikra community members who are interested in movies and films to spend time watching along with the entire community. Movies will be announced on afikra’s watching list. This interview series will host filmmakers and actors who are featured in the announced movie. Community members will be asked to watch the film on online streaming platforms or online film festivals before the series and join the conversation with the creators of the film. Movie Night is an opportunity for members to ask questions about the plot, behind the scenes, themes, and information about the movie. Following the interview there is a moderated town-hall style Q&A with questions coming from the live virtual audience on Zoom. Join the live audience: https://www.afikra.com/rsvp
Watch all afikra Conversations: https://www.youtube.com/playli....st?list=PLfYG40bwRKl
afikra Community Presentations: https://www.youtube.com/playli....st?list=PLfYG40bwRKl
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Facebook: https://www.facebook.com/afikra.official
Twitter: https://twitter.com/afikra
Support:
www.afikra.com/support
About afikra:
afikra is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region- past, present, and future - through conversations driven by curiosity.
Read more about us on afikra.com
#afikra #movies #arab
In this second episode of our Projector Dreams series, we step into the golden age of Egyptian cinema—a transformative period that turned Cairo into the cinematic capital of the Arab world. From the founding of Studio Misr to the rise of musical epics, social realism, and feminist narratives, this era wasn’t just about movies—it was about identity, politics, and cultural power.
We trace the legacy of pioneers like Umm Kulthum, Mohamed Abdel Wahab, Kamal Selim, and Youssef Chahine. We explore how women redefined their roles on-screen and how post-revolutionary Egypt used cinema as a mirror, a megaphone, and a battlefield.
📼 What You’ll Learn in This Episode:
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The nationalist vision behind Talaat Harb’s founding of Studio Misr
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Why musical cinema became a tool of cultural diplomacy
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How women like Faten Hamama and Hind Rostom reshaped gender narratives
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Why The Will (1939) signaled a turn toward realism
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How post-1952 films critiqued power through allegory
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The impact of nationalization on Egypt’s creative freedom
📢 Next Up on Projector Dreams:
We move into the turbulent 1960s and 70s—an era of political volatility, cinematic experimentation, and pan-African solidarity. Stay tuned.
Until then, keep the reels rolling.
— The African Cinema Podcast Team
🎞️ Featured Films
Weddad (1936)A wealthy merchant falls in love with his slave, Wedad, but their romance is tested by misfortune and social pressure. Umm Kulthum’s debut.IMDb (https://www.imdb.com/title/tt0237908/)
Sallama (1945)A musical melodrama set in a historical Bedouin context, starring Umm Kulthum and themed around love, loyalty, and folklore.IMDb (https://www.imdb.com/title/tt0237688/)
The Will (Al-ʿAzīma) (1939)One of Egypt’s first neorealist films. A working-class man and his partner struggle with poverty, dignity, and perseverance.IMDb (https://www.imdb.com/title/tt0275209/)
The Second Wife (Al-Zawja al-Thāniya) (1967)A young woman is coerced into marriage by a corrupt village official, exposing the abuse of power and gender inequality.IMDb (https://www.imdb.com/title/tt0062519/)
Cairo Station (Bāb al-Ḥadīd) (1958)A disturbing psychological drama set at Cairo’s train station, following a newspaper vendor's descent into obsession. Directed by Youssef Chahine.IMDb (https://www.imdb.com/title/tt0051390/)
The Land (Al-Ard) (1970)A powerful critique of feudalism and injustice in rural Egypt, depicting farmers' resistance against landlord tyranny.IMDb (https://www.imdb.com/title/tt0065680/)
The Nightingale’s Prayer (1959)Faten Hamama stars as a Bedouin woman seeking revenge after her sister’s honor killing, exploring themes of justice and retribution.IMDb (https://www.imdb.com/title/tt0371415/)
I Am Free (Ana Hurra) (1959)A feminist drama about a woman rejecting traditional marriage and societal expectations in pursuit of autonomy.IMDb (https://www.imdb.com/title/tt0371423/)
Women Without Men (1953)A film about four women who band together after rejecting oppressive relationships, forging solidarity and freedom.IMDb (https://www.imdb.com/title/tt0328873/)
The Sin (Al-Haram) (1965)A peasant woman’s tragic fate after a rape exposes rural injustice and systemic neglect. Directed by Henri Barakat.IMDb (https://www.imdb.com/title/tt0371513/)
Writter/Director: Omar Daher Abdi
Camera/Editor: Neiman Abdi
Produced by Buuti Tv
Actors : Poete Noir Meurtri
Omar Daher Abdi
Moussa Bileh
Rahma Hassan
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Le conflit le plus meurtrier et massif de l'Histoire est déclenché en septembre 1939 par l'Allemagne nazie. 👋 + de documentaires histoire 👉 http://bit.ly/3lqyFpY 🙏 Abonnez vous !Pendant six ans, l'Europe entière est en guerre, dans les airs, sur les mers, et sur les océans. Elle mobilise des millions d'hommes dont des Français d'Afrique du Nord, des goumiers marocains, des tirailleurs sénégalais, malgaches, et tunisiens.Comme en 14-18, ils sont de tous les combats pour la reconquête de leur patrie. Certains participent à la libération de la France, beaucoup ne voient pourtant pas Paris et ne traversent pas le Rhin, d'autres encore sont écartés des champs de bataille. Aujourd'hui, les historiens apportent un éclairage nouveau sur ces combattants trop longtemps oubliés.Titre : Mourir pour la France - 1939-1945 Réalisé par Emmanuel ROBLINProducteurs : Eclectic Presse / ECPAD©Ampersand
Une "attaque jihadiste" contre une base des forces de sécurité ivoiriennes à Kafolo, dans le nord-est de la Côte d'Ivoire, à la frontière avec le Burkina Faso, a fait une "dizaine de morts" parmi les militaires, selon plusieurs sources sécuritaires ivoiriennes et burkinabè.
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