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What is Mise en Scene — How Directors Like Kubrick Master the Elements of Visual Storytelling Giftmajesty 0 Visninger • 5 måneder siden

A Quick Guide to Mise-en-Scène in film ►► http://bit.ly/what-is-mes

00:00 What is Mise en Scene in film?
01:09 Mise en Scene Meaning & Definition
02:07 Mise en Scene in Citizen Kane
02:48 Mise en Scene Elements
03:50 Naturalistic vs Theatrical Mise-en-Scéne
04:23 Mise en Scene Examples (Theatrical) — Tim Burton
04:57 Mise en Scene Examples (Naturalistic) — David Fincher
05:35 Mise en Scene in The Shining
06:36 Exercise — Can you spot Kubrick's Mise-en-Scéne?
08:57 Challenge — Consider all Mise-en-Scene elements
09:40 Next Episode of Mise-en-Scene — Color and Kubrick

What is mise-en-scène? If you went to film school, or even casually studied film theory, you’ve heard this term many times. But what does it mean and why is it so important? In this video essay, you’ll learn everything you need to know about mise-en-scène — from its origins in theater, how film theorists like Andre Bazin championed it, and how filmmakers like Stanley Kubrick applied it to his work.

In French, mise-en-scène literally means “placing on stage,” or the process of how theater directors would decide what should go on the stage and how those elements should be arranged. This same concept was easily borrowed by film directors — everything you see on-screen is part of the “mise-en-scéne.”

This includes elements that fall under the umbrella term of production design (props, wardrobe, set design, movie props, etc.) as well as cinematography (cinematic lighting, frame rate, depth of field, camera framing, composition). In addition, the blocking and staging of the camera and actors, their performance, and even what we hear on the soundtrack (film music, sound design) counts as mise-en-scéne.

In film directing, it is the task of the director to decide how all of these elements will be placed, arranged, and combined in each shot. When you look at the work of filmmakers like Stanley Kubrick, you start to see the method behind each of these elements — even if you can’t fully understand WHY, the overall effect is seen and felt. Visual storytelling is all about using each image to tell the story. When filmmakers are in control of visual storytelling (of mise-en-scene), they can create powerful and layered images that we study in videos like this for decades.

#FilmTheory #VideoEssay #Filmmaking

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Giftmajesty 0 Visninger • 5 måneder siden

Moses Parts the Sea - The Ten Commandments (6/10) Movie CLIP (1956) HD Giftmajesty 0 Visninger • 5 måneder siden

The Ten Commandments movie clips: http://j.mp/15vUTyR
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CLIP DESCRIPTION:
Moses (Charlton Heston) parts the Red Sea for the Hebrews to escape the Egyptians' pursuit.

FILM DESCRIPTION:
Based on the Holy Scriptures, with additional dialogue by several other hands, The Ten Commandments was the last film directed by Cecil B. DeMille. The story relates the life of Moses, from the time he was discovered in the bullrushes as an infant by the pharoah's daughter, to his long, hard struggle to free the Hebrews from their slavery at the hands of the Egyptians. Moses (Charlton Heston) starts out "in solid" as Pharoah's adopted son (and a whiz at designing pyramids, dispensing such construction-site advice as "Blood makes poor mortar"), but when he discovers his true Hebrew heritage, he attempts to make life easier for his people. Banished by his jealous half-brother Rameses (Yul Brynner), Moses returns fully bearded to Pharoah's court, warning that he's had a message from God and that the Egyptians had better free the Hebrews post-haste if they know what's good for them. Only after the Deadly Plagues have decimated Egypt does Rameses give in. As the Hebrews reach the Red Sea, they discover that Rameses has gone back on his word and plans to have them all killed. But Moses rescues his people with a little Divine legerdemain by parting the Seas. Later, Moses is again confronted by God on Mt. Sinai, who delivers unto him the Ten Commandments. Meanwhile, the Hebrews, led by the duplicitous Dathan (Edward G. Robinson), are forgetting their religion and behaving like libertines. "Where's your Moses now?" brays Dathan in the manner of a Lower East Side gangster. He soon finds out. DeMille's The Ten Commandments may not be the most subtle and sophisticated entertainment ever concocted, but it tells its story with a clarity and vitality that few Biblical scholars have ever been able to duplicate. It is very likely the most eventful 219 minutes ever recorded to film--and who's to say that Nefertiri (Anne Baxter) didn't make speeches like, "Oh, Moses, Moses, you splendid, stubborn, adorable fool"?

CREDITS:
TM & © Paramount (1956)
Cast: Henry Brandon, Yul Brynner, Charlton Heston, John Miljan, Bobby Clark
Director: Cecil B. DeMille
Producers: Cecil B. DeMille, Henry Wilcoxon
Screenwriters: Dorothy Clarke Wilson, J.H. Ingraham, A.E. Southon, Æneas MacKenzie, Jesse Lasky Jr, Jack Gariss, Fredric M. Frank

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