Video teratas
Gods of Egypt - Bow Before Me or Die: Set (Gerard Butler) uses Horus's (Nikolaj Coster-Waldau) coronation as an opportunity to seize the throne from his family.
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FILM DESCRIPTION:
The survival of mankind hangs in the balance when Set (Gerard Butler), the merciless god of darkness, usurps Egypt's throne and plunges the prosperous empire into chaos and conflict. Hoping to save the world and rescue his true love, a defiant mortal named Bek (Brenton Thwaites) forms an unlikely alliance with the powerful god Horus (Nikolaj Coster-Waldau). Their battle against Set and his henchmen takes them into the afterlife and across the heavens for an epic confrontation.
CREDITS:
TM & © Lionsgate (2016)
Cast:
Director: Alex Proyas
Screewriter: Burk Sharpless, Matt Sazama
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http://www.euronews.com/ It is a film title to sum up events in Egypt, 'Winter of Discontent'. As director Ibrahim el-Batout stood among the crowds in Cairo's Tahrir Square on the eve of Hosni Mubarak's overthrow last year, his first instinct was to start filming.
A call to actor Amr Waked and actress Farah Youssef, and within a few hours the trio were shooting a scene in Tahrir in which a man searches for his girlfriend amid the throng. 'Winter of Discontent' was in production.
The movie sends out a message of hope that marks a more upbeat departure for the Egyptian director who spent almost two decades portraying the despair of war.
Watch out video report for a taste of the film and some thoughts from the director.
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Eleven days of continuous screening of European films have concluded in Egypt. 80 films from 40 countries have been on display during the 12th edition of the Panorama of European movies that was founded in 2004. Here is CGTN's Adel El Mahrouky with more.
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In this first installment of our Egyptian cinema series on The African Cinema Podcast, we trace the roots of filmmaking in Egypt—starting with the arrival of the Lumière Brothers’ projector in Alexandria in 1896. This episode dives into the rise of Egypt’s first studios, the political ferment of the 1919 revolution, and the emergence of Egyptian filmmakers who shaped cinema as a cultural and national force.
Following our exploration of Nigerian cinema, this new arc expands the lens to Egypt—a country whose early cinematic journey defined film across the Arab world.
What You’ll Learn in This Episode:
•
How and when cinema first arrived in Egypt
•
Why Alexandria became the launchpad for moving pictures in the region
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The story of Aziz & Dorés: the Middle East’s first film studio
•
Mohamed Bayoumi’s revolutionary role in shaping Egyptian cinema
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How nationalist politics and colonial resistance shaped early storytelling
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The significance of Barsoum Looking for a Job (1923)
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The rise of Aziza Amir and the making of Layla, Egypt’s first narrative feature
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The role of Talaat Harb and the founding of Misr Acting and Cinema
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How early Egyptian cinema reflected and helped shape cultural identity
This is part of our ongoing deep-dive into African cinematic histories—following our Nigerian cinema series. Here, we begin the Egyptian arc, setting the stage for the Golden Age to come.
We’ll explore the rise of Studio Misr and the 1940s–1960s golden era of Egyptian cinema, where film became not just national but continental in its influence.
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