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If you want to see films set in Ancient Egypt you should definitely watch our picks for the best Ancient Egypt movies.
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Movies in this Ranking:
5. Exodus: Gods and Kings (2014): https://amzn.to/3jX6IUm (00:13)
4. Cleopatra (1963): https://amzn.to/329yZBj (02:51)
3. The Mummy (1999): https://amzn.to/3mPKgOV (07:29)
2. Agora (2009): https://amzn.to/3oRu8OI (08:53)
1. The Ten Commandments (1956): https://amzn.to/386EPa9 (10:58)
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One might think that a desert would be the last place where one would expect a cinema hall. But an eccentric French artist by the name Diynn Eadel didn't share that point of view. He built The Seventh Art Cinema, an open air movie theater in the Sinai peninsula. But after its abandonment, the place became known as The End of World Cinema.
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Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statutes that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."
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In this episode of the Kawalis podcast, esteemed film theorist and filmmaker Viola Shafik delves into the intricacies of Arab cinema, discussing its unique characteristics, historical milestones, and the role of film in navigating themes of displacement and colonialism. Through a rich conversation, Shafik shares insights from her illustrious career, offering perspectives on film archives, the pioneering era of Arab film from 1896 to the 1930s, and the impact of Studio Misr on Egyptian cinema.
0:00 Introduction: An Overview of Viola Shafik's Contributions to Filmmaking and Film Theory
01:33 Displacement: Shafik Reflects on the Theme of Displacement in Arab Cinema
04:53 Cinema's Specialness: What Distinguishes Cinema from Other Art Forms According to Shafik
07:43 Film Archives: The Importance of Preserving Film Archives in Understanding Cinema's History
10:58 Early Arab Films: An Exploration of Arab Cinema Between 1896 and the 1930s
14:46 Studio Misr: The Role of Egypt's Studio Misr in Shaping Modern Arab Cinema
22:43 Colonialism and Film: How Colonialism Has Influenced Arab Cinema
26:56 Arab Cinema’s Identity: Shafik Discusses Her Book on Arab Cinema's History and Cultural Identity
28:46 Inspirations: Influential Figures and Movements in Arab Cinema According to Shafik
31:11 Most Watched Films: Shafik Shares the Films That Have Impacted Her the Most
34:42 Appreciating Films: How to Develop a Deeper Appreciation for Films
36:50 Documentary as a Medium: The Significance of Documentary Filmmaking in Arab Cinema
40:06 "Arij: Scent of Revolution": Shafik Talks About One of Her Documentary Projects
42:19 Quick Q&A: Rapid-Fire Questions Shedding More Light on Shafik's Viewpoints
47:00 Audience Q&A on Censorship: Discussing the Impact of Censorship on Arab Cinema
50:08 Gulf Filmmakers: The Rising Influence of Filmmakers from the Gulf Region
52:44 Next 10 Years: Predictions for the Future of Arab Cinema
Viola Shafik is a renowned film theorist, filmmaker, and a pivotal figure in the study of Arab cinema. With a career spanning several decades, Shafik has deeply influenced the discourse around Arab film through her scholarly work, including her seminal book "Arab Cinema: History and Cultural Identity." As a filmmaker, she has directed notable documentaries that explore themes of identity, politics, and history, contributing to a richer understanding of the Arab world's cinematic landscape.
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THIS SERIES IS PART OF THE AFIKRA PODCAST NETWORK
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ABOUT AFIKRA
afikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity.
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Gods of Egypt - Bow Before Me or Die: Set (Gerard Butler) uses Horus's (Nikolaj Coster-Waldau) coronation as an opportunity to seize the throne from his family.
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FILM DESCRIPTION:
The survival of mankind hangs in the balance when Set (Gerard Butler), the merciless god of darkness, usurps Egypt's throne and plunges the prosperous empire into chaos and conflict. Hoping to save the world and rescue his true love, a defiant mortal named Bek (Brenton Thwaites) forms an unlikely alliance with the powerful god Horus (Nikolaj Coster-Waldau). Their battle against Set and his henchmen takes them into the afterlife and across the heavens for an epic confrontation.
CREDITS:
TM & © Lionsgate (2016)
Cast:
Director: Alex Proyas
Screewriter: Burk Sharpless, Matt Sazama
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http://www.euronews.com/ It is a film title to sum up events in Egypt, 'Winter of Discontent'. As director Ibrahim el-Batout stood among the crowds in Cairo's Tahrir Square on the eve of Hosni Mubarak's overthrow last year, his first instinct was to start filming.
A call to actor Amr Waked and actress Farah Youssef, and within a few hours the trio were shooting a scene in Tahrir in which a man searches for his girlfriend amid the throng. 'Winter of Discontent' was in production.
The movie sends out a message of hope that marks a more upbeat departure for the Egyptian director who spent almost two decades portraying the despair of war.
Watch out video report for a taste of the film and some thoughts from the director.
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Eleven days of continuous screening of European films have concluded in Egypt. 80 films from 40 countries have been on display during the 12th edition of the Panorama of European movies that was founded in 2004. Here is CGTN's Adel El Mahrouky with more.
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In this first installment of our Egyptian cinema series on The African Cinema Podcast, we trace the roots of filmmaking in Egypt—starting with the arrival of the Lumière Brothers’ projector in Alexandria in 1896. This episode dives into the rise of Egypt’s first studios, the political ferment of the 1919 revolution, and the emergence of Egyptian filmmakers who shaped cinema as a cultural and national force.
Following our exploration of Nigerian cinema, this new arc expands the lens to Egypt—a country whose early cinematic journey defined film across the Arab world.
What You’ll Learn in This Episode:
•
How and when cinema first arrived in Egypt
•
Why Alexandria became the launchpad for moving pictures in the region
•
The story of Aziz & Dorés: the Middle East’s first film studio
•
Mohamed Bayoumi’s revolutionary role in shaping Egyptian cinema
•
How nationalist politics and colonial resistance shaped early storytelling
•
The significance of Barsoum Looking for a Job (1923)
•
The rise of Aziza Amir and the making of Layla, Egypt’s first narrative feature
•
The role of Talaat Harb and the founding of Misr Acting and Cinema
•
How early Egyptian cinema reflected and helped shape cultural identity
This is part of our ongoing deep-dive into African cinematic histories—following our Nigerian cinema series. Here, we begin the Egyptian arc, setting the stage for the Golden Age to come.
We’ll explore the rise of Studio Misr and the 1940s–1960s golden era of Egyptian cinema, where film became not just national but continental in its influence.
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